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Trenčín 2026 launches TrenAir, the very first international residency program in Trenčín. With this initiative, they are opening the city to new creative impulses and collaborations, transforming it into a vibrant space of cultural exchange, dialogue, and artistic innovation. 

The European Commission has published its first interim report about the European Capitals of Culture for the period 2020-2033.

The result is a very interesting document that already outlines the guidelines that will be at the heart of the new programme on which the Commission is already working.

We at EcocNews are very pleased with this report, not least because one of the new features is a greater focus on communication.

The only minor criticism concerns the part where it is pointed out that there is no institution that communicates what is happening in the world of European Capitals of Culture. However, we imagine that the text refers to “public institutions” because, in our own small way, we at EcocNews have been filling this gap since February 2021.

Below is a summary of the report's findings, which you can read in full and in all languages here.

Conclusions and Lessons Learned

The evaluation shows that ECoC is a successful flagship action of the EU with a strong cost-effectiveness with a very limited impact on the EU budget. Moreover, the action can have a transformative effect on the different candidates and selected cities as it requires long-term planning and the inclusion of culture in local city policy to be considered for the title. The action also has a strong coherence with other actions of the EU, in particular Creative Europe, and allows for the dissemination of EU values and of European cultural professionals and artists and their works in the EU and beyond.

The first interim evaluation of the European Capitals of Culture 2020-2033 highlighted both successes and challenges, offering key lessons for its future. The findings will guide the ECoC into its next phase after 2033, ensuring its continued success and relevance.

A stronger focus on the ‘European dimension’ in the competition: The ‘European dimension’ is a key element of the ECoC action and selection criteria. However, it appears that, based on feedback, it is often not fully understood by the different stakeholders. The European Commission could explore ways to develop the understanding of this dimension.

Long-term knowledge: Due to the absence of a formal ECoC network, there is risk of losing knowledge between newly appointed and past cities. The Commission could research how to foster knowledge-sharing in the ECoC community for the action to reach its full potential, in particular in relation to its European dimension.

Communication: The European Commission communicates actively about the official designation of the European Capitals of Culture with multiple channels, including press release, websites, and social media. However, there are currently no concentrated EU-level communication actions by the European Commission and other EU-wide institutions to promote the ECoC cities. This limits the Action’s visibility, impact, and public awareness. The ECoC would benefit from EU communication efforts to support and complement the work of the title-holding cities, in coordination with and with input from the Member States. Appointing ECoC ambassadors at political level could help the initiative.

Data: The set of indicators provided by the European Commission to the organisations in charge of setting up the different ECoC competitions should be revised based on the results and data gaps identified during the evaluation process.

Expert panel: It is important to ensure that the expert panel has the skills and resources to carry out its tasks effectively. The Commission could strengthen cooperation with other institutions to ensure the panel is diverse in both representation and expertise. In addition, a structured onboarding process for new members would help ensure they are well-prepared and support a smooth transition and handover from outgoing members.

Long-term planning: The evaluation has shown that the long-term impact of the action is not experienced to its full potential in some cities. The Commission could explore the reinforcement of the ‘contribution to the long-term strategy’ criterion and strengthen evaluation criteria and indicators to foster longer-term impacts in the different candidate cities.

In conclusion, the evaluation provides crucial insights into the programme’s progress and potential. After 40 years, the action remains relevant and well sought-after by cities and territories to develop themselves through culture. However, it is important to update the action to ensure its continued relevance in the future, in particular by taking into account emerging trends which appeared in the recent years, such as an increased number of smaller cities as title-bearers.

First interim evaluation of the European capitals of culture action 2020-2033

Cáceres’ bid for European Capital of Culture in 2031 has opened the public submission period for artistic and cultural projects.

Matera (Italy) and Tetouan (Morocco) have been named the 2026 Mediterranean Capitals of Culture and Dialogue, a yearlong distinction that celebrates the cities’ rich cultural heritage and shared Mediterranean vision, by the Union for the Mediterranean and the Anna Lindh Foundation.

Shine! - Veszprém and the Bakony-Balaton Region Celebrated the Start of the European Capital of Culture Year with a Grand Opening Weekend Veszprém will hold the title of European Capital of Culture (ECoC) in 2023.

On 21st January, the European Capital of Culture 2023 programme year will be launched with a grand opening ceremony to fill Veszprém and the Bakony-Balaton region with culture for 365 days. However, it is not only one year that the programme team is thinking about, but long-term cultural development.

On January 9th, 2023, the European Capitals of Culture of 2022 (Esch, Kaunas, Novi Sad) officially handed over their titles to the cities and regions which will be representing the European Capitals of Culture in 2023 (Timisoara, Veszprem, Eleusis).

The countdown started for the three cities that will be European capitals of culture in 2023: Veszprém (Hungary), Timisoara (Romania) and Eleusis (Greece). In fact, the dates of the opening ceremonies of the respective cultural programs have been decided.

These are days of great trepidation in Portugal. The visits of the evaluation panel to the four cities of Portugal that have entered the short list to become European Capital of Culture for 2027 start today.

Leeds 2023 Year of Culture: An epic programme of bold spectacle and hidden stories will awaken the world to Leeds’ unique creativity.

EcocNews continues the journey among the cities that are candidates for European capital of culture for 2028 in the Czech Republic. After Broumov, Brno and Liberec, today we discover the city of Budweis (České Budějovice). In 2028 it will be the third time that the Czech Republic will have a European Capital of Culture after Prague in 2000 and Plsen in 2015.

In France, many cities have decided to participate in the competition to become the European Capital of Culture in 2028 together with a city in the Czech Republic. With EcocNews also for 2028 we discover which are some of the candidate cities and how they are moving to involve citizens and to change the destiny of their cities. Also in this circumstance we asked all the French candidate cities the same questions. After Rouen, Montpellier, Clermont – Ferrand, Reims and Bastia – Corsica, today we discover Bourges.

On 10 September this year, the exhibition The Learning Garden of Freedom by the world- renowned artist Yoko Ono will open at Kaunas Picture Gallery.

Braga’27, Braga’s candidacy project for the European Capital of Culture in 2027, and Braga Media Arts, UNESCO Creative City in the field of Media Arts, will inaugurate a joint exhibition at the event “Noite Branca de Braga”.

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